‘Tis the season to lounge on the sofa and demolish a box of mince pies in front of a good movie, a bad movie, or one that’s awesomely awful.
Once again, a selection of new Christmas films aims to become part of our holiday traditions—potentially even joining the ranks alongside enduring classics like Home Alone, Elf, Love Actually, and Die Hard (don’t start).
Therefore, in a noble effort to distinguish the gems from the coal, and to embrace the holiday mood, I marathoned as many fresh festive movies as possible in a single day.
Starting, hopefully, on a positive note. This film is the exclusive 2025 entry on a famous website's list of the top 100 festive features of all time.
The popular band are trapped in the UK after concluding their international trek and must get home for Christmas. Their efforts are hampered by an villainous Saint Nick, who bursts into melody to state they won’t get home until they “rekindle their familial spark.”
The banter between the arguing trio is entertaining even for the casual viewer, while followers will no doubt notice lots of easter eggs as they endeavor to get back using every mode of travel possible.
It’s a journey of epic proportions.
It’s not a timeless masterpiece, but is superb for fans and a good start to the day.
Christmas tree rating: 🎄🎄🎄🎄🎄 for Jonas Brothers fans or 🎄🎄🎄 for their relatives who will have to sit through it.
Hollywood star Kiefer Sutherland stars as a celebrity roped into a "panto".
“A panto-what?” asks Sutherland’s “hard-to-work-with” and ageing star Brad Mack, who has hit a rough patch and whose representative has tricked him into thinking he’s performing in high-class London stage.
His pantomime fellow actors let him know he’s playing Buttons. “No I'm not,” he protests. One can imagine their retort. That is, unless you’re ignorant of traditional British theatre traditions.
There are some great jokes, some heartwarming side stories, and the ensemble is cracking, too.
It’s the sort of feature that would be a bit tacky at another season, but is a highly enjoyable at Christmas.
Festive score: 🎄🎄🎄🎄
A familiar face pops up at the beginning of this film, too, delivering a signature line for the second film in a row. Could this be a fresh holiday staple?
This time, he’s a singing black cab driver who collects Mr Sood, the modern take on Mr Scrooge from Charles Dickens’ A Christmas Carol.
Mr Sood is played by a star of Kunal Nayyar and Christmas Karma is directed by the director of Gurinder Chadha. The classic narrative progresses as the miserly Mr Sood is visited by the apparitions of Christmas yesterday, today, and tomorrow, played by Hugh Bonneville, Billy Porter, and Boy George.
This South Asian reinterpretation is at least different from all the others, but sadly he’s not very captivating and Nayyar’s portrayal is lifeless—a major flaw when he’s so the main character.
Christmas tree rating: 🎄🎄
There’s time for a channel's holiday special—which stars Guz Khan as a endearingly grumpy man who “doesn’t really do Christmas.”
But after he gets an sizable holiday payout at work, his wife (played by Morgana Robinson) convinces him spending the sum on a holiday to Lapland.
There’s just one snag—he finds out there was an mistake with his bonus, which should have been £800, and he has to determine how to return the remainder.
Pleasant yet unmemorable.
Christmas tree rating: 🎄🎄
This is one of those holiday movies where the tree, fairy lights and snow are in the background—Christmas is the setting of the film rather than its main point—but it feels comfortable and seasonal all the same.
Driven corporate star Sydney (played by Minka Kelly) is dispatched to a country estate to do a deal for a champagne business. On the way, she encounters a guy in a book store who promises to show her Christmas in Paris.
An expert recently stated this is the best new Christmas film of the recent era. That’s a bit of a stretch, but it is a Christmas romance with a touch of class and gives the necessary heartwarming sensation.
The scene with a extended debate about Die Hard is notable too.
Holiday verdict: 🎄🎄🎄
Young Chris, played by Lenny Rush, continues to believe in Father Christmas, in spite of the persuasion of his dad (starring James Buckley) to tell him otherwise.
The truth is to be discovered, and Chris embarks on a quest to find it with the guidance of a group of well-known experts and celebrities.
It’s low-key but charming, and good viewing while expecting Santa to visit.
Festive score: 🎄🎄🎄
Michelle Pfeiffer is the matriarch of a dysfunctional American family who gather for the holidays—including fellow Oscar nominee Felicity Jones, Chloe Grace Moretz, Jason Schwartzman, and dad Denis Leary.
Pfeiffer starts by mentioning holiday staples like National Lampoon’s Christmas Vacation, It’s A Wonderful Life and Home Alone, before saying: “They need to make a movie about the true heroes of the holidays—moms.”
So that’s what this is, but in practice it’s really a mash-up of those inspirations, at least until Pfeiffer’s character finally comes into her own.
Festive score: 🎄🎄
The day’s waned in quality, but thankfully here’s a new addition in the packed genre of formulaic, schmaltzy, badly acted—and highly entertaining—festive fodder.
It’s a narrative as well-worn: An American woman goes on a quest to a far-off wintery locale and ends up finding romance.
In this case, Caprice Bourret plays a publisher
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